Tag: PG-13

Spider-Man: Far From Home Review

The Web Head you know and love travels to Europe to team up with Nick Fury, Maria Hill, & Mysterio

After the absolutely phenomenal Avengers: Endgame was released to massive critical acclaim and commercial success, the question on everybody’s mind was: how do you top that? Well, Spider-Man: Far From Home chooses not to compete, instead sticking with the John Hughes-esque dynamic its’ predecessor used to make Spider-Man unique within the MCU (Marvel Cinematic Universe). Whether it’s introducing new characters or building on pre-existing characters, Far From Home does a fantastic job of remembering that character comes first when telling a story on a massive stage. Director Jon Watts (Spider-Man: Homecoming, Cop Car) and writers Erik Sommers & Chris McKenna (Spider-Man: Homecoming, Ant-Man and the Wasp) both returned to give us both the next chapter of the MCU’s Spider-Man and the final film for the MCU’s Phase 3. A word of caution, if you read any further there will be massive spoilers for Avengers: Endgame. Please, I hate spoilers as much as the next human, so do not continue reading if you have not seen Avengers: Endgame. 

Final chance… okay, so Far From Home deals with the aftermath of Endgame, specifically a major death, which I will refer to in a few sentences in case somebody who hasn’t seen it is still scanning the page. As Peter Parker/Spider-Man, played by Tom Holland (Spider-Man: Homecoming, The Impossible), deals with the loss of his mentor and friend, Tony Stark/Iron Man, played by Robert Downey Jr. (Avengers: Endgame, Sherlock Holmes series), and the enormous power vacuum left in his place. Peter struggles throughout the film with the enormous pressure of whether or not he should take Tony’s place as the world’s protector or not, and in his defense, he is the Friendly Neighborhood Spider-Man. In addition to this pressure, Happy Hogan, played by Iron Man director Jon Favreau (Spider-Man: Homecoming, Swingers), informs Peter that Nick Fury, played by Samuel L. Jackson (Captain Marvel, Pulp Fiction), is trying to get in touch with him. At the same time Peter is off to Europe for a summer vacation with his friends/classmates. With subplots galore, including a burgeoning potential relationship with MJ, played by Zendaya (Spider-Man: Homecoming, The Greatest Showman), his best friend Ned’s, played by Jacob Batalon (Spider-Man: Homecoming, The True Don Quixote), girl problems, and a global threat involving the Elementals, Far From Home has plenty going on. All this going on while Happy may or may not be dating Peter’s Aunt May, played by Marissa Tomei (Spider-Man: Homecoming, My Cousin Vinny), which causes Peter unimaginable amounts of grief.

When an Elemental attacks Venice, where Peter and his friends are staying, a mysterious man, played by Jake Gyllenhaal (Prisoners, Donnie Darko), appears out of nowhere to save the day. As he is dubbed Mysterio, Peter learns that he is from an alternate Earth, introducing the concept of a multi-verse, as well as working with Nick Fury and Maria Hill, played by Cobie Smulders (How I Met Your Mother, Avengers films). Mysterio AKA Quentin Beck acts as Peter’s unofficial mentor, with the absence of Tony, and Peter is able to commiserate his predicament of becoming a hero for good or enjoying life with his friends. In a film that challenges Peter in many ways that are familiar, yet so unique and interesting, Far From Home is an exciting, thrilling, and hilarious addition to the MCU.

First off, I think the way this film addressed The Snap was incredibly thought out and dealt with people’s criticisms about Peter’s friends all being the same age in a thought provoking way. Honestly, it only gets me even more excited for whatever comes next in the MCU, because Kevin Feige (President of Marvel Studios) and his team have proven they can literally do anything. I think one of the many reasons that the MCU is so successful is the consistent genre/tonal shifts they keep introducing to their films. Far From Home feels like a combination of a John Hughes film and a National Lampoons’ Vacation film, all while still maintaining its’ blockbuster superhero status. Hopefully Marvel and Sony can work together in the following years, because they have an absolute hit on their hands with both of these Spider-Man films.

The actors in this film all absolutely nailed their roles. Whether it is Peter’s “guy-in-the-chair” sidekick, Ned, or Zendaya’s sarcastic, dry humored turn as MJ, the films’ supporting cast does a tremendous job. Angourie Rice (Black Mirror: Rachel, Jack and Ashley Too, Spider-Man: Homecoming) got way more screen time this go-around, portraying Betty Brant, Peter’s co-worker at the Daily Bugle in the comics. Tony Revolori’s (Spider-Man: Homecoming, The Grand Budapest Hotel) portrayal of Peter’s nemesis, Flash Thompson, is just as hilarious as it was in Homecoming. Remy Hii (Marco Polo, Better Man) puts in a fantastic turn as Pete’s rival/MJs’ other love interest in the film as Brad Davis. Martin Starr (Spider-Man: Homecoming, Freaks and Geeks) and J.B. Smoove (Mr. Deeds, Hall Pass) are absolutely hilarious together as the teachers/chaperones for Peter and his friends’ trip to Europe. Jon Favreau and Marisa Tomei both crush their roles as Peter’s parental figures. Last but not least, Tom Holland proves himself, yet again, to be my absolute favorite iteration of the live-action web crawler. As Peter or Spider-Man he absolutely nails the quintessential teenager superhero role. Since Civil War he has injected a lot of fun and emotional story arcs into the MCU and I can’t wait to see whatever he does next.

Michael Giacchino (Spider-Man: Homecoming, Doctor Strange) is the brilliant composer behind the music in Far From Home. Giacchino, who got his start composing music for video games, proves to be the next John Williams, leaving an indelible mark on cinema as a whole. The Far From Home score is filled with trumpet fanfare, woodwinds, and flutes. To me, it sounds very much like his scores from The Incredibles I & II, as there is a theme of espionage within Far From Home, while also embracing some major MCU themes that have been created over the years by various composers. Giacchinos’ score effortlessly transitions between thrilling and bombastic to sweet and heartfelt throughout the entire film, embracing instruments throughout the films’ many different locales. 

Jon Watt, Chris McKenna, and Erik Sommers have crafted another brilliant addition to the MCU. Hopefully they get a chance to work with Marvel again, I suppose we all have to collectively cross our fingers that Sony doesn’t botch the deal in an effort to build their own Spider-Verse with Venom, Morbius, and future Into the Spider-Verse sequels. Unfortunately, there is no Stan Lee cameo in Far From Home, as Endgame appears to be his final cameo before his sad passing. Although there is no Stan Lee cameo be sure to stay behind after the credits as there are two mid/post-credits scenes that hint at what is to come in Phase 4 of the MCU. I am sure Stan Lee and Steve Ditko are proud of what Kevin Feige and the cast and crew have created. In my opinion, it is just as good as Homecoming, if not better.

MPAA Rating: Rated PG-13 for sci-fi action violence, some language and brief suggestive comments
Running Time: 129 Minutes
Released by Columbia Pictures, Marvel Studios, Pascal Pictures, and Sony

Godzilla: King of the Monsters Review

Godzilla Proves To Be The King of the Big Screen!

After the disappointment of the 2014 Godzilla reboot, which was directed by Gareth Edwards (Rogue One, Monsters), and starring Aaron Taylor-Johnson (Kick-Ass, Godzilla), Elizabeth Olsen (Godzilla, MCU), and Bryan Cranston (Argo, Breaking Bad), I’m sure fans were skeptical when news of a King Kong reboot was on the way in 2017. Luckily, audiences got the spectacular Vietnam-period piece which was Kong: Skull Island. So, when word that a straight up sequel to Godzilla was coming with an entirely (mostly) new cast, my ears perked up. Then the first trailer was released, and I’ll never forget the feeling of utter thrill and joy I felt when it ended with Godzilla and King Ghidora running at each other at full speed. As the next trailer started in the theater, I looked over at my girlfriend, heart beating out of my chest, and I saw the same look of excitement on her face. The film lives up to the incredibly well-done set of trailers that were released, and the reason why is that the filmmakers knew exactly what they were making: a monster film.

The first attempt at Godzilla was bogged down by the human factor. While Bryan Cranston’s storyline was ultimately tragic in nature, the major draw of a monster movie should not be the human element. We didn’t even get to see a full image of Godzilla until the third act. Even though it was a bearable film, I haven’t watched it again, yet. That says something right there. King of the Monsters on the other hand is absolutely rewatchable. The film begins during Godzilla’s battle in San Francisco from the point of view of Kyle Chandler’s (Argo, Friday Night Lights) character, Mark Russel, and his family. Suffering a tragic loss, the film then jumps ahead to present time. The Russel family is split up and they are dealing with the loss in different ways. Mark is off doing his own thing, upset at the “monsters” as he calls Godzilla, while his wife, Dr. Emma Russell, played by Vera Farmiga (The Departed, Up in the Air), and daughter Madison, played by Millie Bobby Brown (Stranger Things, Once Upon a Time in Wonderland), are working for Monarch on some unknown mission.

Emma creates a device that can essentially communicate with the monsters by the use of “Alpha” channels, which they test out on a larva version of Mothra. When Mothra is woken up she is NOT happy, but Emma’s device works and Madison gets to go pet the docile thirty story creature. Enter our villain, Alan Jonah, played by Charles Dance (Last Action Hero, Game of Thrones), an eco-terrorist who plans to use Emma’s device to wake the other Titans (AKA Monsters/Kaiju) so that they can bring the world back to a purer, more basic state of affairs. The only problem with his plan are the millions and potentially billions of innocent people who would become collateral damage. Jonah absconds with Emma, Madison, and the device, while Mothra goes into cocoon.

Sally Hawkins (Godzilla, The Shape of Water) and Ken Watanabe (Inception, The Last Samurai) revisit their characters from the first Godzilla as scientists who urge Congress to embrace Godzilla, rather than treat him as an enemy, on the behalf of Monarch, the secret organization which monitors the activity of Godzilla and the Titans via bases situated throughout the world. They also have a few new team members in the form of Thomas Middleditch’s (The Wolf of Wall Street, Silicon Valley) Sam Coleman and Bradley Whitford’s (Get Out, Cabin in the Woods) Dr. Rick Stanton who has some of the films’ best one-liners. Once word of Emma and Madison’s kidnapping reaches them, they team up with Mark and a special ops team led by Colonel Diane Foster, played by Aisha Hinds (Assault on Precinct 13, 9-1-1) and Chief Warrant Officer Barnes, played by O’Shea Jackson Jr. (Straight Outta Compton, Den of Thieves), to try and get them back before any real damage can be done. Unfortunately, they are unsuccessful and Ghidora is woken up, which causes a whole bevvy of other problems.

Godzilla: King of the Monsters is successful because Michael Dougherty (Trick ‘r Treat, Krampus) is at the helm. Dougherty has referred to his movie as “the Aliens to Gareth’s Alien.” He is of course referring to the drastically different tones of those two classic films. Dougherty embraces the sort of quirky humor Aliens embraced when following up the ultra-dark sci-fi horror gem, Alien, directed by master director Ridley Scott (Blade Runner, Gladiator). It’s clear that all of the projects he has worked on thus far have led him to this point. He is fantastic at creating genre pieces, as Trick ‘r Treatredefined the horror genre and his screenplay for X2: X-Men United produced easily the best X-Men live action film. Dougherty is the perfect choice for this film, looking back, and I’m glad the studios made the right call this time around. 

This film embraces the true nature of monster/Kaiju movies, which is the monsters themselves.  It also does away with the ultra-realism the first film had. In this film, the technology is inexplicably updated to the point that some of Monarch’s gear/weaponry/planes are extremely sci-fi. I’m so glad the makers of this film had the good sense to know what to make of importance. Obviously, the technology and human element (for the most part, there is still some good old’ fashioned human drama in play) aren’t nearly as important as the look, feel, and especially sound of these magnificent creatures. Godzilla hasn’t sounded this much like himself since 1954 and King Ghidora’s intense scream is so exhilarating. Each of the different Titans has a different and unique sound, so don’t worry about the potential for confusion when all hell is breaking loose. The choreography (if you want to call it that) of the Titan battles is never out of control to the point that it is confusing.

Bear McCreary (The Walking Dead, 10 Cloverfield Lane) composed the music for this film, and it is yet another reason why the film is so good. The Walking Dead has definitely prepared him for this film, with subject matter that is totally unrealistic, yet dramatic at the same time. In the smaller, more delicate scenes, soft strings play soothing sounds of regret, hope, and wonder, whereas the big battle scenes boast blaring horns. McCreary also utilizes some of the original soundtrack, such as Godzilla’s theme, to great effect. We saw the film in Dolby Atmos, which really goes above and beyond with the sound/speakers in the theater. When Godzilla is rearing up to do battle and his theme song played, everyone cheered. 

I recommend seeing this film in the best theater you can, whether it is Dolby Atmos or IMAX. Monsters as tall as skyscrapers deserve to be seen on the biggest and best screen possible. If you can’t, I still recommend seeing it on any big screen, as there is something fun about watching a bunch of giant monsters laying waste to Boston. Talk about some kahma (Go Blues!). The filmmakers behind these “Monarch” films have really outdone themselves this time, and it’s exhilarating and exciting that this cinematic universe is continuing so well. Let’s just say that the bar is set very high for the next major monster film in the series, because Godzilla: King of the Monsters was a smashing success!